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to be published in MFON exhibition catalog. Ed. Lauren S. Berliner. Complied by Berette Macaulay. 2020. 
This essay reflects an exhibition, Exploring  Passages within the Black Diaspora. The show considers the histories and ways of being embedded within the personal narratives in the artworks, while also considering our own, the viewers’, personal narratives in relation to that
which we see. I was drawn to Nadia Huggins’s portrait, Circa No Future (2014), of a young boy seemingly floating in the air. Huggins’ photography asks me to consider what it feels like to embody fluidity.

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